-
-
๐๐ฒ๐ญ๐ก๐ฌ, ๐๐ข๐๐ฌ ๐๐ง๐ ๐๐จ๐ฐ๐ง๐ซ๐ข๐ ๐ก๐ญ ๐๐ญ๐ฎ๐ฉ๐ข๐๐ข๐ญ๐ฒ: ๐๐๐ญ ๐๐ฎ๐ญ ๐ญ๐ก๐ ๐๐ก๐จ๐ฏ๐๐ฅ - ๐๐ก๐ฒ ๐๐ฏ๐๐ซ๐ฒ๐ญ๐ก๐ข๐ง๐ ๐๐จ๐ฎ ๐๐ง๐จ๐ฐ ๐ข๐ฌ ๐๐ซ๐จ๐ง๐
120.000VND120.000VND× -
-
๐๐ก๐ ๐๐๐ฏ๐๐ง๐ฌ๐๐๐ซ ๐๐ฒ๐ง๐๐ฌ๐ญ๐ฒ
180.000VND180.000VND× -
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
๐๐ก๐ ๐๐จ๐ฆ๐๐ง ๐ข๐ง ๐๐ก๐ข๐ญ๐
โ
Author: Wilkie Collins, 672 trang, bรฌa mแปm, tรฌnh trแบกng tแปt
โ
’In one moment, every drop of blood in my body was brought to a stop… There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white’
The Woman in White famously opens with Walter Hartright’s eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his ‘charming’ friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
Matthew Sweet’s introduction explores the phenomenon of Victorian ‘sensation’ fiction, and discusses Wilkie Collins’s biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.
120.000VND










