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๐๐๐๐๐ฌ ๐๐ก๐ข๐ฅ๐๐ก๐จ๐จ๐ ๐๐ฉ๐๐ง๐ ๐ฅ๐๐ฌ, ๐๐ข๐๐๐ฅ๐ฒ๐ฐ๐ข๐ง๐ค๐ฌ ๐๐ง๐ ๐๐ก๐ ๐๐ฅ๐ข๐ญ๐ก๐๐ซ๐จ๐ ๐๐ข๐: ๐๐ฉ๐๐ง๐ ๐ฅ๐๐ฌ, ๐๐ข๐๐๐ฅ๐ฒ๐ฐ๐ข๐ง๐ค๐ฌ ๐๐ง๐ ๐ญ๐ก๐ ๐๐ฅ๐ข๐ญ๐ก๐๐ซ๐จ๐ ๐๐ข๐
59.000VND59.000VND× -
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๐๐จ๐ฐ ๐๐๐ง๐ฒ ๐๐ข๐ ๐ก๐ญ๐๐ฎ๐ฅ๐๐ฌ ๐๐จ๐๐ฌ ๐๐ญ ๐๐๐ค๐ ๐๐จ ๐๐ก๐๐ง๐ ๐ ๐ ๐๐ฅ๐๐ง๐๐ญ?: ๐๐ ๐๐๐ฒ๐ฌ ๐ญ๐จ ๐๐๐ฏ๐ ๐๐ฅ๐๐ง๐๐ญ ๐๐๐ซ๐ญ๐ก
120.000VND120.000VND× -
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๐๐ก๐ ๐๐จ๐ฆ๐๐ง ๐ข๐ง ๐๐ก๐ข๐ญ๐
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Author: Wilkie Collins, 672 trang, bรฌa mแปm, tรฌnh trแบกng tแปt
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’In one moment, every drop of blood in my body was brought to a stop… There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white’
The Woman in White famously opens with Walter Hartright’s eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his ‘charming’ friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
Matthew Sweet’s introduction explores the phenomenon of Victorian ‘sensation’ fiction, and discusses Wilkie Collins’s biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.
120.000VND











