Xem giแป hร ng โ๐๐๐๐๐ฌ ๐๐ก๐ข๐ฅ๐๐ก๐จ๐จ๐ ๐๐ฉ๐๐ง๐ ๐ฅ๐๐ฌ, ๐๐ข๐๐๐ฅ๐ฒ๐ฐ๐ข๐ง๐ค๐ฌ ๐๐ง๐ ๐๐ก๐ ๐๐ฅ๐ข๐ญ๐ก๐๐ซ๐จ๐ ๐๐ข๐: ๐๐ฉ๐๐ง๐ ๐ฅ๐๐ฌ, ๐๐ข๐๐๐ฅ๐ฒ๐ฐ๐ข๐ง๐ค๐ฌ ๐๐ง๐ ๐ญ๐ก๐ ๐๐ฅ๐ข๐ญ๐ก๐๐ซ๐จ๐ ๐๐ข๐โ ฤรฃ ฤฦฐแปฃc thรชm vร o giแป hร ng.
๐๐๐๐๐๐ฆ๐ข๐๐ฌ, ๐๐ฎ๐ฌ๐๐ฎ๐ฆ๐ฌ ๐๐ง๐ ๐๐๐ง๐จ๐ง๐ฌ ๐จ๐ ๐๐ซ๐ญ
Trong kho: cรฒn 1
Author: Gill Perry, 268 trang, bรฌa mแปm, tรฌnh trแบกng tแปt
This book examines the variety of ways in which works of art have achieved a position in the so-called canon of Western art. Focusing mainly on art and institutions in Britain and France from the seventeenth to the nineteenth centuries, the book explores the construction and evolution of canonical values. The authors provide a series of detailed case studies-including Poussin`s The Arcadian Shepherds, the Parthenon marbles, the Albert Memorial frieze, and others-to enable readers to practice using the vocabularies and analytical skills of art history.
200.000VND
Categories: Nonfiction